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Fremantle/Syco’s “Got Talent” breaks into Japan for the first time; Yoshimoto Kogyo’s...
The first Japanese version of Fremantle/Syco Entertainment’s “Got Talent” is heading for Japan in a deal with Japan’s Yoshimoto Kogyo announced out of London this afternoon. Scheduled to air in February 2023, “Japan’s Got Talent”...
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Malaysia’s Astro adds streaming trio to new Ultra box; beIN Sports Connect, iQiyi and TVBAnywhere+...
Malaysia’s Astro added three new streaming apps – beIN Sports Connect, iQiyi and Hong Kong’s TVBAnywhere+ – to its Astro Ultra box today, bringing the total number of third-party OTT services on the platform to seven with two others – Zee5...
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China’s Youku picks up Banijay sports docu-series, “Human Playground”, in new deal with...
Chinese streamer Youku has picked up rights to “Human Playground” – a co-production between Banijay companies Scenery in the Netherlands and the U.K.’s Workerbee – in a deal with William Tan’s China-based Content Connected. Narrated...
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Features
Value driven: Countdown to Korea’s ACE
Digital transformation and the expansion of content value takes centre stage at this year’s Asia Content & Entertainment (ACE) Fair and content developer conference in Gwangju in September,…
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Beyond the headlines
CNN’s Ellana Lee celebrates her 25th anniversary at the global news network this year. Vanita Kohli-Khandekar spoke to her about the milestone, a career journey that started in 1997 with hand-…
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Independents’ day
For some of Southeast Asia’s independent producers, life has never seemed better. Others, not so much. We contacted 100 indies in six countries to talk about hopes, challenges, talent, budgets…
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Formats Outlook: 2022
The beginning of a recovery is creeping across Asia’s format business, with a rise of about 30% in the number of formats on air or commissioned in the first six months of 2022 compared to the first…
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