Shinhan Bank-Daesung Cultural Contents Investment Fund, previously a South Korean movie fund with KRW7 billion/US$5 million of starting capital, has been closed by its two principal backers – Shinhan Bank and Daesung Private Equity.

Just days before it got underway, the Cannes Film Festival revealed that Chinese film "Resurrection" would join its main competition.

"Daughter’s Daughter", which debuted in the Toronto International Film Festival, puts its protagonist through the wringer as a retired woman who must confront her estranged daughter’s sexuality.

Remakes and film franchises should be part of the repertoire of smaller and independent producers, not the exclusive domain of Hollywood or Asian majors, executives at Focus Asia, an East-West industry gathering on the side of this year’s Udine film festival were told.

Japan’s Ken-ichi Imamura leads a leap forward for Asia’s public broadcasters and documentary filmmakers.

Celebrating 20 Years of Innovation: For two decades, the Gwangju ACE Fair has been a key destination for global content creators, industry leaders, and visionaries looking to collaborate and expand their reach.