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FEATURES
1 October 2023
Japan: “A paradise of imagination”; Netflix APAC content head, Minyoung Kim, outlines Japan approach
Netflix’s APAC content head, Minyoung Kim, has described Japan as “a paradise of imagination” with a natural crossover in the creative community between film and television that enables the streamer to focus on the story rather than the format.
25 September 2023
Justice for sex abuse survivors still MIA in Johnny & Associates fallout; BBC journalist/filmmaker, Mobeen Azhar, seven months after “Predator: The Secret Scandal of J-pop”
On 2 October, the new leadership of disgraced Japanese talent agency, Johnny & Associates, will unveil their vision for the company’s future beyond compensation and better guardrails.
25 September 2023
Fun, but not nearly there: Daryl Burney and Richard Juan on their experiments with AI filmmaking
At first glance, "The Safe Zone" could look like every writer, director and producer’s – and maybe even actor’s – worst nightmare. The six-and-a-half-minute short film, which taps dark fears about artificial intelligence and technology run amok, was created, written and directed by AI.
18 September 2023
Dystopia, magic & crime drive new webtoon-based TV projects; Momo Film, Bros Studios, Kenaz kick off new alliance, two titles in development
When Seoul/LA-based Bros Studios, Korean webtoon platform Kenaz and Singapore’s Momo Film joined forces, yet another set of hopes, dreams and ambitions joined today’s most popular quest: producing “international content”.
17 August 2023
In the pink: international demand drives Asia’s next LGBTQ+ TV wave
Western demand for Asian LGBTQ+/BL content is  soaring, says Taipei-based GagaOOLala, which reports that 65% of its 3m subs are now outside of Asia and is ramping up Originals to ride demand.
17 August 2023
Formats Outlook 1H 2023: The Asia update
Singing-based titles, game shows and drama series topped Asia’s formats in Asia, accounting for 64% titles from Jan-June 2023; India, Vietnam and Thailand remain Asia’s leading formats markets, with a combined share of 42%, ContentAsia’s Formats Outlook for 1H 2023 shows.
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