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FEATURES
16 June 2025
NHK’s Shin Yasuda on the way forward for documentary co-production; Countdown begins for "Run Against Time: The Snowman Race" int'l debut
In October 2024, 25 of the world’s top extreme runners gathered in the Kingdom of Bhutan for one of the most remote and challenging foot races ever – the Snowman Race, 175 kilometers of Himalayan wilderness, with an average elevation of about 4,300m and multiple peaks rising to 5,470m.
16 June 2025
"Masterchef Cambodia" breaks domestic engagement records; CBS CEO Dave Ulmer kicks off studio expansion, led by tie-up with L.A.’s The Studio
Cambodia’s largest broadcaster, Cambodian Broadcasting Service (CBS) is rolling out an international charm offensive on the back of the blockbuster launch of the new season of MasterChef and the beginnings of a plan to build a global production destination. 
2 June 2025
Korean film fund closes, backers exit as book value collapses; cinema merger adds pressure to Korean movie sector
Shinhan Bank-Daesung Cultural Contents Investment Fund, previously a South Korean movie fund with KRW7 billion/US$5 million of starting capital, has been closed by its two principal backers – Shinhan Bank and Daesung Private Equity.
2 June 2025
Uncomfortable moment of reckoning for Asian cinema; little love, few deals, low funding mark subdued Asian showing at Cannes Film Festival
Just days before it got underway, the Cannes Film Festival revealed that Chinese film "Resurrection" would join its main competition.
19 May 2025
“I don’t set out to be an example to others” – Sylvia Chang; Taiwan cinema icon readies new projects as she celebrates 54 years in the business
"Daughter’s Daughter", which debuted in the Toronto International Film Festival, puts its protagonist through the wringer as a retired woman who must confront her estranged daughter’s sexuality.
19 May 2025
Indie producers in Asia encouraged to consider remakes; pros and cons outlined at Focus Asia gathering in Udine
Remakes and film franchises should be part of the repertoire of smaller and independent producers, not the exclusive domain of Hollywood or Asian majors, executives at Focus Asia, an East-West industry gathering on the side of this year’s Udine film festival were told.
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