COL arms for escalating microdrama war; new global distribution network, Middle East and India...
China-listed microdrama leader COL has unveiled a new distribution partnership network in a bid to build the world’s largest structured microdrama ecosystem, along with a content partnership that deepens engagement with microdrama series from the...
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Thailand’s True pay TV bleeds as AIS flexes entertainment muscle; Thai platform’s subs dive...
A glittery stage, wall-to-wall celebrity song and dance, and an effort at rebranding its subscription TV platform failed to spare True Corporation’s pay-TV segment from a grim 2025. The big question facing the company now? Will the new content...
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Indian streaming originals plummet; Ormax Media tracks a five-year decline to 2025 lows
Production of Indian streaming originals has plummeted to below the 300 mark for the first time since 2020, with Hindi losing some of its dominant share to regional languages, Ormax Media said in a new report charting content supply trends in...
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Features
On one hand, Indonesian filmmaker Edwin has delivered a deeply creepy, darkly comic comment on labour, greed and capitalism in his latest film, Sleep No More. On the other, he really wants audiences…
Chinese streaming platform Bilibili took an “anti-gourmet” perspective for documentary "Crazy Delicious" – winner of the ContentAsia Award 2025 for Best Factual Entertainment Programme Produced for a…
India’s streaming environment remains radically competitive and closely watched, continuing to expand premium storytelling and elevated production quality. The country’s linguistic diversity and…
Malay-language horror feature, "Khadam", releases theatrically this year. We spoke to Lina Tan, the founder and power behind Malaysian production House Red Communications, which has held the project…