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War Room: ABS-CBN’s 2025 Content Victory as Lopez Family Battles Rage, Board Majority Unites...
As the Lopez family corporate tensions in the Philippines roil, media unit ABS-CBN Corp is highlighting the wins that back its claim of viability. At the same time, 2025’s numbers just reported tell a story of stabilisation – not recovery, just...
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FlareFlow Adds 5 Refinery Media Verticals; Singapore Production House Launches 10-title Short-form...
Singapore’s Refinery Media has announced a 10-title vertical content slate, backed by brand partners Shopee and Nippon Paint.  The slate comprises seven scripted dramas and three unscripted reality series, all produced natively for the 9:16...
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Korea’s “Bloodhounds” Takes Almost Half of Netflix’s Global Non-English Top 10 Viewing...
Korean series “Bloodhounds” took almost half of the viewing hours of Netflix’s Top 10 non-English TV titles around the world for the week to 12 April. Together, the action thriller’s two seasons’ 75.4 million hours viewed made up 42% of...
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In Malaysia, Horror Isn’t Imagined. It’s Inherited; Two Malaysian Horror Thrillers Ready for the Regional Stage
Horror continues to resonate across Asia, especially stories shaped by local beliefs and traditions. Malaysia’s largest media platform, Media Prima, presents two Malaysian films that reflect this…
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ContentAsia Awards Focus: The Making of... Wayne Song Talks About His Role in “A Second Chance of Life”
ContentAsia’s interview series goes behind the trophies, into the decisions, risks and creative calls that turned shortlisted ideas into ContentAsia Awards’ winners. As we count down to the launch of…
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ContentAsia Awards Focus: The Making of... “Hotel Saltwater”
Based on Chen Tseng-chih’s 2017 book "Hotel Saltwater: Tai Chen-yao’s Revolutionary Youth", "Hotel Saltwater" (鹽水大飯店) is about an agricultural reform activist in the 1970s, when Taiwan was under…
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Peter Chan is Scratching His Head About the Future. Should We All Be Worried? And Other Moments From a 9/10 Week at Hong Kong Filmart
The 30th edition of Hong Kong Filmart closed on Friday evening with – as expected – microdramas and AI front and centre of the conversations; hot and cold running location incentives and production…
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