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Malaysia Kicks Off Hong Kong Filmart's four-day Film Incentive Beauty Pageant
Malaysia kicked off a four-day film incentive beauty contest in Hong Kong this morning with an hour-long session highlighting the country's box-office wins over the past year, grand plans to cement its role as a Southeast Asian production hub,...
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ViuTV Picks Up Nippon TV's "Life's Punchline"; 2026 Release for Hong Kong Adaptation
PCCW Media's MakerVille is adapting Nippon TV's 2021 drama "Life's Punchline" for sister free-TV network ViuTV. The Hong Kong version – the first international adaptation of the Japanese scripted format – releases this year. In an...
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“Supermodel Me” Returns in First Vertical Adaptation Deal; COL Group to Adapt Refinery Media...
Seventeen-year-old Singapore-made modelling format, Refinery Media’s “SupermodelMe”, enters the vertical video universe for the first time in an exclusive micro-adaptation backed by the COL Group’s FlareFlow micro-drama platform. The show...
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Moscow сalling: what's attracting China's and Southeast Asia’s film industries to the Russian capital?
As government-backed cooperation agreements extend through 2030 and production costs climb across traditional shooting destinations, Moscow is positioning itself as Eurasia's most compelling…
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ContentAsia Awards Focus: The Making of... "Deep Current: Architecture of Taiwan"
TaiwanPlus factual series, "Deep Current: Architecture of Taiwan" – winner of the ContentAsia Awards 2025 Best Factual Programme Made in Asia for Multiple Asian and/or International Markets category…
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Japan dominates GagaOOLala’s 2025 BL rankings; Chinese-language dramas sweep top three BL series, Taiwan and Japan lead GL list
Japan dominates GagaOOLala’s 2025 Global Top 10 boys’ love (BL) series list, taking six of the 10 spots, although Chinese-language titles claim the top three positions on the Taiwan-based global…
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“I want people to have fun, not really bother about the message”; Indonesian filmmaker Edwin on horror fantasy feature “Sleep No More”
On one hand, Indonesian filmmaker Edwin has delivered a deeply creepy, darkly comic comment on labour, greed and capitalism in his latest film, Sleep No More. On the other, he really wants audiences…
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