“North America and Europe Don’t Care About Korean Content” – Korea’s Youngshin Cho tells...
The collapse of Korea’s production market over the past decade was tracked in Bangkok this afternoon, pinpointing a “vicious circle” kicked off by the shift to global streaming, and involving production costs soaring to KRW 5.5 billion per...
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“Love Destiny” Demand Continues in 2026 Uptick; 12 BEC Thai Series Head Across Asia, U.S., Latam...
Twelve Thai series from “Love Destiny” producer BEC World secured platform pickups across China, Malaysia, Singapore, Latin America, U.S. Hispanic and Spain in H1 2026, sharply outperforming a soft first half in 2025. The deals were announced...
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TrueID Pivots to “Digital Ecosystem Hub”; Rolls Out Vertical Drama App with DramaBox, More...
Thai digital platform TrueID is pivoting from a content platform into what it calls a “Digital Ecosystem Hub”, unveiling a new strategy it calls "Co Create The Series” and launching Tatang by TrueID, a vertical drama mini app built with China's...
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Features
Onat Diaz, director of premium Philippine series “Wildflower”, “Dirty Linen” and “The Alibi”, joins Content Asia On Air to talk about “The Silent Noise”, his new 10-episode show produced by ABS-…
Indra Suharjono, co-founder of i.e. Entertainment and one of the most influential names in Thai content distribution, joins ContentAsia On Air for a no-BS conversation about where Thailand's industry…
  “Mirzapur” is clearly the gift that keeps on giving for Amazon; just the release of the trailer for the new season of the Indian crime thriller was enough to generate levels of demand that placed…
“To ensure NBCUniversal’s content reaches audiences in ways that are both locally relevant and commercially effective, we are taking a dual approach: building strong, long-term licensing partnerships…