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Indian-Korean feature “Made in Korea” Tops Netflix Global Non-English Film Rankings; Indian...
Indian films won Netflix’s non-English global film rankings in the latest week, taking five of the top 10 spots, including #1 for Tamil-Korean feature “Made in Korea”. “Made in Korea” debuted on the rankings with 7.7 million hours...
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Korea’s “Boyfriend on Demand” Rises to #1; 6 Asian Titles on Netflix’s Global Non-English TV...
Korean limited series “Boyfriend on Demand” rose three spots on Netflix’s weekly Global non-English TV top 10, toppling Spanish drama “The Tik Tok Killer” to take #1 spot for the week to 15 March with 47.8 million hours viewed in its second...
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mm2 Launches 3 Microdrama Platforms; Biggest Investment in Regional Language Programming to Date
mm2 Asia subsidiary, mm2view, just announced its biggest single investment in regional language programming,rolling out three microdrama platforms focusing on stories in Cantonese, Hokkien and Bahasa Melayu languages, the Singapore-listed company...
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Moscow Calling: What's Attracting China's and Southeast Asia’s Film Industries to the Russian Capital?
As government-backed cooperation agreements extend through 2030 and production costs climb across traditional shooting destinations, Moscow is positioning itself as Eurasia's most compelling…
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ContentAsia Awards Focus: The Making of... "Deep Current: Architecture of Taiwan"
TaiwanPlus factual series, "Deep Current: Architecture of Taiwan" – winner of the ContentAsia Awards 2025 Best Factual Programme Made in Asia for Multiple Asian and/or International Markets category…
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Japan dominates GagaOOLala’s 2025 BL rankings; Chinese-language dramas sweep top three BL series, Taiwan and Japan lead GL list
Japan dominates GagaOOLala’s 2025 Global Top 10 boys’ love (BL) series list, taking six of the 10 spots, although Chinese-language titles claim the top three positions on the Taiwan-based global…
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“I want people to have fun, not really bother about the message”; Indonesian filmmaker Edwin on horror fantasy feature “Sleep No More”
On one hand, Indonesian filmmaker Edwin has delivered a deeply creepy, darkly comic comment on labour, greed and capitalism in his latest film, Sleep No More. On the other, he really wants audiences…
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