Netflix has high hopes for "Born for the Spotlight", a 12-episode Mandarin series from Taiwanese filmmaker Yen Yi-wen. The series speaks to everything the streamer has been moving towards since 2020, says head of Chinese-language content, Maya Huang.

Mediacorp executive producer, Doreen Yap, spoke to James Moore about Singapore’s boldest free-TV series yet. 

This year’s Taiwan Creative Content Fest (TCCF) opens with greater participation, broader conversations, expanded networking opportunities, and bigger prize money for the largest-ever number of projects being pitched.

Zombies, sex workers and traditional marriage practices mark Indonesian platform Vidio’s path into a new content era.

Paramount Animation president, Ramsey Naito, talks to Asian A.V. Club about her artistic upbringing, the techniques of being a good producer, and the creative direction she encourages among filmmakers in her orbit.

117 adaptations were commissioned or aired in Asia in the first nine months of 2024 – a 19% decline in the same period last year. Banijay Rights leads formats distribution in Asia by volume for the first nine months of this year, ContentAsia’s Formats Outlook shows.