FEATURES
29 March 2019
APRIL 2019: Asia entered 2019 with record energy around local IP development and production, greater confidence in Asian stories, remakes of premium scripted formats for Asian audiences at an all-time high, and more attention than ever in local originals for global streaming slates.
29 March 2019
APRIL 2019: While easier access to mainland China remains at the top of international entertainment companies’ lists of things to pray for and eagle eyes continue to be kept on changing regulations, gains are being made outside of thrill rides and blockbuster movies, and the quest for hap
29 March 2019
APRIL 2019: Korea’s broadcasters and drama producers are waging epic battles daily in a high-stakes environment with stronger competition, exploding slots, and soaring production budgets.
29 March 2019
APRIL 2019: Korean digital series, Wassup Man, has rewritten some of the rules for digital models.
29 March 2019
APRIL 2019: Asia closed 2018 with 337 formats on air or commissioned across the region. Thailand was the biggest winner, topping the list with 70 titles. Vietnam came in second, but the win is a bit hollow given the volume of previous years.
18 March 2019
Netflix premiered Taiwan’s Green Door globally at the weekend (16 March), saying the addition of the Mandarin title to its global slate increased “diversity and breadth of content”.