Korean/Asian streaming platform DramaFever just became roadkill in AT&T and its newly minted WarnerMedia’s grand plan to build a SVOD platform, anchored by HBO, scheduled to debut at the end of 2019.

Of all the things that could happen in China’s online video market, the emergence of a single all-powerful uber-player that has inhaled all competition is unlikely. The reason is that content producers and advertisers don’t favour a market with only one online content distribution platform.

Indonesia’s broadcast watchdog, Indonesia Broadcasting Commission (KPI), has looked at the country’s television programming – and found at least half of it wanting.

The Real World Thailand is on its way to Facebook Watch in 2019 along with Asia-Pacific game show Confetti.

PeopleTV has arrived in Asia as part of Monty Ghai’s new bouquet of brands ready and willing to fill gaps in audience demand and platform line ups.

Mobile streaming platform Oona went live on Telkom Indonesia this year with a wide-ranging bundle of free channels/curated playlists, total usage/data transparency for content partners,a revenue-share proposition and points-based incentives to view commercials, and