China’s content boom has created unprecedented opportunities for investment in entertainment. Production is at a record high and Chinese TV series and movies have a whole new profile around the world.

With Asian versions of The Bridge and Hollywood Squares, Viu/Vuclip cemented its place in the rare category of Asian streaming platforms ballsy enough to put real budgets behind original content creation.

Hulu Japan celebrated its seventh anniversary in September, with the clock ticking on the premiere of its first Russian drama, zombie series The Day After, and still basking in the halo effect of original show Miss Sherlock, which was the platform’s first international co-produc

Ellana Lee, ContentAsia’s Asia Media Woman of the Year 2018, talks about women’s empowerment, what it’s like working in an era of fake news and how she never feels threatened in North Korea.

The new linear world is emerging in Asia – streamlined, with clear[er] genre propositions, an effort to drive up value, an element of on-demand/playlists, a revised partnership manual, and an expanded set of content brands.

Two years after she opened all3media’s Asia-Pacific regional office in Singapore, executive vice president Sabrina Duguet is looking at a formats bus