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FEATURES
17 August 2023
In the pink: international demand drives Asia’s next LGBTQ+ TV wave
Western demand for Asian LGBTQ+/BL content is  soaring, says Taipei-based GagaOOLala, which reports that 65% of its 3m subs are now outside of Asia and is ramping up Originals to ride demand.
17 August 2023
Formats Outlook 1H 2023: The Asia update
Singing-based titles, game shows and drama series topped Asia’s formats in Asia, accounting for 64% titles from Jan-June 2023; India, Vietnam and Thailand remain Asia’s leading formats markets, with a combined share of 42%, ContentAsia’s Formats Outlook for 1H 2023 shows.
17 August 2023
A Bloody Disgrace: stolen fathers, the U.K.’s racist past and how Singapore filmmakers pulled the story together
Mediacorp CNA’s My Stolen Chinese Father: Victims of U.K.’s Racist Past is the story of three people living in the aftermath of Britain’s decision, suddenly and secretly, to deport Chinese merchant seamen to Singapore and China after World War II.
17 August 2023
Different strokes: Thai executive producer Nitipat “Earn” Uahwatanasakul on a new type of storytelling
Executive producer Nitipat “Earn” Uahwatanasakul  is pushing for a new and different type of Thai storytelling.
17 August 2023
Truth in fiction: India’s Hansal Mehta on truth, balance & investing in writers
Hansal Mehta has never been this popular. Vanita Kohli-Khandekar spoke to the veteran Indian filmmaker about balancing commerce and creativity, streaming, cinema, investing in writers and the truths that are best told through fiction.
16 August 2023
Green rooms: The path to sustainable production in Asia
Avatar’s eco-moments are legendary. Avengers: End Game made headlines for production sustainability. The Hobbit trilogy committed to sustainability from day one. Succession, The Gilded Age, The Man in the High Castle...
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