Chinese streaming platform Bilibili took an “anti-gourmet” perspective for documentary "Crazy Delicious" – winner of the ContentAsia Award 2025 for Best Factual Entertainment Programme Produced for a Single Market in Asia – using unusual foods as a lens to explore local

India’s streaming environment remains radically competitive and closely watched, continuing to expand premium storytelling and elevated production quality.

Malay-language horror feature, "Khadam", releases theatrically this year. We spoke to Lina Tan, the founder and power behind Malaysian production House Red Communications, which has held the project dear since before Covid.

If it didn’t already have 1001+ suitors lining up for production funding, Singapore ended 2025 with another S$200 million/approx US$155 million in government backing, locking in its status as the likely belle of the content ball for 2026.

Two issues dominate conversations about mainland China’s entertainment industry as 2025 draws to a close – the vertical microdrama boom, with revenues overtaking movie/box-office, and Japan replacing Korea in China’s political penalty box.

Malaysia’s Media Prima Television Networks closed its latest financial year with strong, broad-based performance across free-TV networks TV3 and 8TV, film distribution (led by "Ejen Ali The Movie 2" with WAU Animation and "Blood Brothers: Bara Naga" with Skop Productions) and WOWSHOP home shoppin