Distributors across Asia are loving and/or loathing their new realities, telling ContentAsia that while some platforms in the region are scrambling to fill slates with acquisitions while original production restarts, others have retreated behind their masks, pulling the covers o

Media Partners Asia’s latest data shows a tilt toward streaming in Asia, a still-powerful free-TV environment, and a content-spend bubble that is unlikely to last.   

Still reeling from the decision that wiped a major broadcast platform off the Philippines terrestrial free-TV map, local creators and talent are staring into an abyss that has for many – particularly in sports and current affairs – replaced their livelihoods and left a gaping hold where their pro

Turkish epic drama, Resurrection: Ertugrul, left every other show in Pakistan trailing for the week of 15-21 July, with 78% more demand than the average show in the market for the week, and way ahead of second placed Game of Thrones, according to the latest figures from data sci

The Philippines’ broadcast and entertainment industry spent the weekend counting the costs of Friday’s vote not to renew ABS-CBN’s broadcast – and the picture, while full of prayers and promises of fighting on, looks grim.

Dark, The Twilight Zone and Doom Patrol were the most in-demand digital originals during a tough political week for Hong Kong, according to the latest data from Parrot Analytics.