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3 October 2019
STRATEGY: Another day, another drama
When U.K.-based Fremantle pulled the plug on its mainland China production unit in September, lots of well-worn lines from a battle-weary industry about restrictions, regulations, shifting sands and a badass set of other challenges resurfaced. 
3 October 2019
STRATEGY: Another day, another drama
When U.K.-based Fremantle pulled the plug on its mainland China production unit in September, lots of well-worn lines from a battle-weary industry about restrictions, regulations, shifting sands and a badass set of other challenges resurfaced.
3 October 2019
DRAMA: Who spends what in Asia
More is being spent on drama series in Asia than ever, driven mostly by Netflix but also in Japan and India because of Amazon Prime Video.
3 October 2019
ONLINE VIDEO: Who’s ahead in Asia
Fifteen players – led by YouTube with revenues of more than US$4 billion – will dominate Asia-Pacific online video revenue in 2019, taking 70%, or US$18.9 billion, of total online subscription/advertising revenue of US$27 billion, according to Media Partners Asia’s (MPA) new Asia Pacific Onli
3 October 2019
Production in Asia – building a whole new ecosystem
Asia’s television drama scene can be a bit of a horror show at the moment, and not just because supernatural tales are enjoying unprecedented attention, or because media disruption continues and corporate instability is rife. As demand for premium content soars, great stories are surfacing.
3 October 2019
Robot Trains’ new destination as Korea’s CJ ENM redirects
Animated series Robot Trains was once the proud engine of CJ ENM’s global animation ambitions. Now the Korean conglomerate is idling in the station while Italy’s Mondo TV steams ahead with 90% ownership of season three of the kids’ 3D CGI series. What happened?
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