Netflix retains its market-leading position with 64.6% share of demand for global digital originals in more than 100 markets, according to data science company Parrot Analytics.

It might have taken a while, but programmers in Asia Pacific are starting to shop for shows – or at the very least do their research – online.

Some of Studio Dragon’s Q2 numbers are through the roof.

Korea’s broadcasters have a bad case of Monday blues. Their antidote includes a dose of kiddie charm andplaying around with slots.

After much excitement and months of lively speculation in anticipation of a clash of global media titans in our very own backyard, India’s next great big glorious deal turned out to be an unexciting financial transaction (except for its high price) with an investor

Production funding is a complicated biz no less disrupted than any other media sector. Here’s where we think new sources of money in/for premium production in Asia are...