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FEATURES
4 November 2019
Sharp objects
8K opens up a wonderland of definition, fires that audiences can almost smell, a wealth of blacks, extraordinary detail that allows directors to use a single strand of a spider’s web to symbolic effect.
12 October 2019
Making magic: Fremantle, Wahana Kreator & The Sacred Riana
Indonesian magician and illusionist The Sacred Riana has ventured into TV drama for the first time in an original production deal that both builds on her wild popularity, rides upsized demand for premium Asian content, and spearheads a new direction in Asia for one of the region’s oldest internat
3 October 2019
STRATEGY: Another day, another drama
When U.K.-based Fremantle pulled the plug on its mainland China production unit in September, lots of well-worn lines from a battle-weary industry about restrictions, regulations, shifting sands and a badass set of other challenges resurfaced. 
3 October 2019
STRATEGY: Another day, another drama
When U.K.-based Fremantle pulled the plug on its mainland China production unit in September, lots of well-worn lines from a battle-weary industry about restrictions, regulations, shifting sands and a badass set of other challenges resurfaced.
3 October 2019
DRAMA: Who spends what in Asia
More is being spent on drama series in Asia than ever, driven mostly by Netflix but also in Japan and India because of Amazon Prime Video.
3 October 2019
ONLINE VIDEO: Who’s ahead in Asia
Fifteen players – led by YouTube with revenues of more than US$4 billion – will dominate Asia-Pacific online video revenue in 2019, taking 70%, or US$18.9 billion, of total online subscription/advertising revenue of US$27 billion, according to Media Partners Asia’s (MPA) new Asia Pacific Onli
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