Final preparations are underway for the first full-scale in-person Hong Kong International Film and TV Market (FILMART) since the beginning of Covid, gathering the international film and TV industry to the territory for the first time in three years and drawing attention back to Hong Kong’s role

When Anton Dela Rosa catches a case his father once solved, he embarks on a career-defining investigation that is either solved... or brings his world crashing down. Between the two extremes is a universe of twists, turns, tension, uncertainty...

Taiwan’s entertainment industry is heading into the new year with a record-breaking achievement. Taiwan Creative Content Fest (TCCF) drew its largest audience ever! A total of 60,000 visits – more than double the footfall in 2021 – at nearly 100 events.  

Sonia Fleck’s Asia-based distribution and production house, Bomanbridge Media, is upsizing its slate with original production, development and investment in global properties, taking bigger and more ambitious Asian stories to audiences everywhere and bringing international stories home.

Malaysia’s dominant subscription video platform, Astro, has a well-documented transformation plan that stretches from becoming the home of a wide range of 3rd-party streaming apps to commissioning the first local adaptions of U.K. premium drama Liar and French series Call My Agent.

Singapore’s Mediacorp registered 120% growth in monthly video views on its YouTube drama channel  for full-year 2021. Online video views have soared for three years straight, and the national media platform has long moved past its former singular identity as a free-TV broadcaster.