WarnerMedia enters 2021 in dramatically different shape in Asia. Clement Schwebig, head of India, Southeast Asia and Korea, talks about the new structure and what it all means.

WarnerMedia heads into 2021 with new structure that puts all entertainment for India, Korea and Southeast Asia under Magdalene Ew, a sharp eye on the direction streaming platform HBO Go is taking, and a critical eye on an original production strategy that covers investment and development. 

Viu continues to cherry pick the cream of Korean drama, has shattered rights barriers in Japan and – among other initiatives across the region – has turbo-charged production in Indonesia, upsized content alliances in Thailand, set its sights on bigger social TV initiatives, and is on the verge o

Line Thailand’s chief business officer, Kanop Supamanop, believes the way forward involves clear business objectives applied to every piece of content created or acquired, greater collaboration on various fronts, optimising relationships with smaller producers, and his belief that successful str

iQiyi is bolder than ever, streaming across the region with its own high-end Chinese productions, expensive rights acquisitions and plans to ramp up local originals. iQiyi SVP, Chen Xiao, speaks about the what, how and why of redefining content for a new entertainment universe.

Thai drama had a record year across Asia, thanks in no small part of the efforts of Bangkok-based JKN Global Media.