Viu continues to cherry pick the cream of Korean drama, has shattered rights barriers in Japan and – among other initiatives across the region – has turbo-charged production in Indonesia, upsized content alliances in Thailand, set its sights on bigger social TV initiatives, and is on the verge o

Line Thailand’s chief business officer, Kanop Supamanop, believes the way forward involves clear business objectives applied to every piece of content created or acquired, greater collaboration on various fronts, optimising relationships with smaller producers, and his belief that successful str

iQiyi is bolder than ever, streaming across the region with its own high-end Chinese productions, expensive rights acquisitions and plans to ramp up local originals. iQiyi SVP, Chen Xiao, speaks about the what, how and why of redefining content for a new entertainment universe.

Thai drama had a record year across Asia, thanks in no small part of the efforts of Bangkok-based JKN Global Media.

2020 may not go down in Korean drama history as the best year ever, but at least two records were shattered – the highest cable drama ratings ever for BBC’s Dr Foster adaptation, The World of the Married, on JTBC, and the most unconventional portrayal ever of North Korea in tvN

Too dark for broadcast TV, Daughters is seeing the light of day courtesy of a streaming environment and a platform determined to tell a different type of story.