KC Global Media Entertainment is part of a rising breed of indie live curated channels operators in Asia.

Discovery has ramped up content creation in China and Korea in a series of partnerships and funding alliances with the Shanghai Media Group, Alibaba/Youku and Korea’s KT. Is it enough for the global network to reclaim its standing in Asia’s future video entertainment environment?

Hong Kong’s entertainment and media digital segments – including streaming video, games, music, radio, podcasts – are thriving through Covid-19. That’s PwC’s most optimistic observation, laid out in its new Global Entertainment & Media Outlook 2020-2024. 

Taiwanese streaming platform Catchplay has unveiled a new production subsidiary, Screenworks Asia, with six projects already in development by end August and plans to produce 100 hours a year of mini-series, movies and factual entertainment for audiences across Asia and the rest of the wo

Taiwan's Studio76 launched just ahead of the pandemic with an ambitious three-year slate, a horror debut targetting audiences that mass market TV broadcasters aren't accommodating, tapping online communities and fanbases for stories, and trying to expand Taiwan's footprint overseas.

Japanese content creators are riding unprecedented demand driven by global streaming platforms, a voracious appetite for new ideas, and seemingly boundless energy for cross-border cooperation.