The 23rd edition of the Far East Film Festival (FEFF) wrapped on 2 July, maintaining its balance between commercially successful Asian films and new entrants, and shaping a filmmaking narrative around this year’s “Moving Forward” theme.

Hong Kong commuters walking through Central and along the harbour front earlier this month may have been handed a bag of candy worms, sweet enticement drawing attention to a gruesome litany of serial killers, mutilated body parts stored in lunch box containers, strangled accountants, missing chil

Two realities dominate Southeast Asia’s current premium content environment. The first is that demand for Asian scripted content has never been this high, driven by global/regional streamers and a bid by local platforms to be part of a sexy emerging story.

About nine years into their video journey, the two men behind Singapore-based Trevmonki are about to become – officially – mentors to Singapore’s next generation of social video wannabes.

New rights follow 62% subscription increase, 47% paid subscriber rise

Pushing audio/video quality limits has always been our default position, Dolby says