Mobile streaming platform Oona went live on Telkom Indonesia this year with a wide-ranging bundle of free channels/curated playlists, total usage/data transparency for content partners,a revenue-share proposition and points-based incentives to view commercials, and

Singtel’s app platform for Singapore, Cast, is a growing force of linear streaming, subscription bundles, catch up, in-house packs, third-party apps, sports services...

Korea was Asia’s biggest buyer of scripted formats in the first half of this year, topping the charts with 10 titles (77% of its total of 13 format acquisitions), including drama series from the U.S.

Vietnamese streaming platform, Danet, has commissioned a local version of Korean blockbuster, Descendants of the Sun and has a second Korean scripted format – My Love from the Star – on its agenda.

China’s content boom has created unprecedented opportunities for investment in entertainment. Production is at a record high and Chinese TV series and movies have a whole new profile around the world.

With Asian versions of The Bridge and Hollywood Squares, Viu/Vuclip cemented its place in the rare category of Asian streaming platforms ballsy enough to put real budgets behind original content creation.