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FEATURES
4 October 2018
Hulu hoops
Hulu Japan celebrated its seventh anniversary in September, with the clock ticking on the premiere of its first Russian drama, zombie series The Day After, and still basking in the halo effect of original show Miss Sherlock, which was the platform’s first international co-produc
4 October 2018
Truths be told
Ellana Lee, ContentAsia’s Asia Media Woman of the Year 2018, talks about women’s empowerment, what it’s like working in an era of fake news and how she never feels threatened in North Korea.
4 October 2018
Adjusted reality
The new linear world is emerging in Asia – streamlined, with clear[er] genre propositions, an effort to drive up value, an element of on-demand/playlists, a revised partnership manual, and an expanded set of content brands.
4 October 2018
Drama-rama: formats in Asia; Sabrina Duguet, all3media
Two years after she opened all3media’s Asia-Pacific regional office in Singapore, executive vice president Sabrina Duguet is looking at a formats bus
4 October 2018
Drama-rama: formats in Asia; Rashmi Bajpai, Endemol Shine, Asia
“We have 55,000 hours of content and a lot of good drama,” she says.
4 October 2018
Drama-rama: formats in Asia; Lester Hu, Hunan TV
Hunan TV’s new daytime show,The Rocking Bridge, could be a metaphor for China’s television market: Ride out the gyrations, stay on the bridge no matter what, an
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